'Spoiler-Free' Summary of Carrie When Carrie accuses Sue of trying to trick her and forces Sue to experience the depth of Carries pain and misery, Sue offers her mind up to be read: (look carrie look inside me). Carrie sees ugliness in Sue but some goodness, too; she sees that Sue never intended to hurt her. Carrie is a novel that brings themes of vengeance, pain, and suffering into the life of a young girl who should have never experienced the torment she received from everyone. Carrie had some kind of power. In screenwriter Bryan Fuller and director David Carsons adaptation, no one gets haunted by Carrie, either literally or figuratively, because Carrie doesnt die. Not affiliated with Harvard College. I will be focusing on the iconic prom scene which serves as the climax of the film, as Carrie takes revenge on her high school bullies after constantly being tormented. The story of Carrie begins in a locker room after a young teenage girl, Carrie, finishes attending gym class. And ghost-Carrie does seem like the most obvious interpretation if we take this moment literally and as integral to the film. However, no matter how hard she tried, she was always rejected by her peers. Whatever the genre. write out a theme statement for Blood in the book. Based on Stephen King's first published novel, the story centers on Carrie (Sissy Spacek), a timid teenage girl who is bullied in school by popular girls and tormented at home by her fanatically religious mother (Piper Laurie). She doesn't fit the traditional role of femininity that is often sought out in high school. She may have committed the Sin of Lustful Thoughts. Instead she very deliberately and maliciously destroys her towns water supplies before dousing as much of it as possible it in gasoline and setting it on fire. There is a note that is left in reference to Carrie White, saying that she is burning in hell. Becoming prom queen was a realization for Carrie, and even after she felt that being crowned would be one of her best memories, it became the sole memory she dreaded. Not for nothing does Carrie check out library books on magic as well as paranormal power: when she becomes a gore-drenched avenging angel, her gestures become more ritualized, almost dancer-likeas if she's not just committing gruesome murders, but in some sense "presenting" them, as a performer might. The primary theme ofCarrieis ostracization. Chris Hargensen is a nice person. The version of Sue in this film is a slightly smoothed-out version of Kings character not quite as cruel or derisive in her worst moments but Pierce does maintain Sues complexity and the connection between her and Carrie. Actually, its worth noting Carrie spares Sue that fright. She stabs Carrie in the shoulder. On prom day, Carrie and Tommy have a good time as she meets his friends and talks with him. When De Palma gave Spacek the role, he cast Amy Irving as Sue Snell instead. With Julianne Moore, Chlo Grace Moretz, Gabriella Wilde, Portia Doubleday. Its not an entirely faithful adaptation of the original end of Carrie, but for the most part it is consistent with the spirit of Kings ending. Christine always seems to be around whenever anything bad happens to Carrie when shes away from home. The novel dived into the life of an ostracized girl, Carrie, who had no friends since she was little. Where Pierces film does diverge from de Palmas somewhat is in its restoration of Sue as a main character. Then Carson gets his version of the de Palma ending with a cut to a graveyard, where Sue and a disguised, bewigged Carrie stand in front of Margarets tombstone. Carrie gets stabbed by her mother and heads to the road, where she meets Chris and her boyfriend, killing them. Momma tells her how she almost killed herself, and how she's tried to kill Carrie multiple times. A weekly newsletter focusing on literature by and about people of color! Pino Donagios quietly unsettling score teases the audiences as they await the prank, but after the climax of the scene the score turns manic as Carrie exerts her powers. In contrast to DePalma's version, Carrie's mom seems less a standard-issue, frothing-at-the-mouth "religious nut" movie character than a mentally ill single mom, eking out a living as a seamstress and dry cleaner. The reader never learns if Sue Snell marries or joins a country club, but we do know that she wrote a book, a memoir of her account of what happened on prom night that both exonerates her from implication in Chris Hargensens horrific prank and humanizes Carrie. She doesn't magically become the girl every guy fantasizes about. When she is pushed to her breaking point, she doesnt (as many film adaptations often suggest) go into a trance or react instinctively and without intention. When Carrie was released on Blu-Ray, it came with an alternate ending, one of the few pieces of cut footage released to the public. Sue decides to meet her as she hears the telepathic message. To create a surreal effect, the shot was filmed backward. It's like the horse head in The Godfather or the silhouetted flying bike in E.T. By ending with this reference de Palma aligns Carrie with these psychopaths, recasts Carrie simply as a creature haunting Sues unconscious. Its also not Pierces original ending. The ashtray on the principals desk and the kid on the bike are manifested as objects of that power, but it was not menstruation which made brought it to the surface. It's a product of her horrid home life, and the knowledge that she has undefined powers that make her different from other kids, and that they're flowering along with the onset of puberty, and that her mother Margaret (Julianne Moore) sees them as signs of evil, rather than world-changing human potential. Miss Desjardin, the gym teacher, walks in to save Carrie and orders everyone out. In this scenario it does not matter whether Carrie is conventionally "pretty" or "not pretty." The scene is then split into two frames; one of De Palma signature trademarks is the use of a split scene. Stories change in the telling, though, and as they do, so do endings. Most importantly, the two see each other. Carrie is a 16-year-old teenage misfit who is bullied at school for her appearance and devout religious beliefs. Due to its depiction of how the teenagers died, Carrie got banned in parts of the United States. Some girls, led by Christine Hargensen, start throwing tampons at her. After the incident at prom, Carrie snapped, and that was when all her emotions of hate and revenge came flooding back in. By the Carrie study guide contains a biography of Stephen King, literature essays, quiz questions, major themes, characters, and a full summary and analysis. Carrie is a movie inspired by one of Stephen King 's first novels, a dark story mixed with dramatic notes, where all the uncertainties and fears of adolescence, such as the problem of being different in a society that does not forgive, are transformed into anger and the desire for revenge. Chris Hargensen always seems to be there; always seems to have been there. Perhaps a better lens through which to view this moment would be Gothic horror, in which Sue represents not a bride per se, but a proto-Final Girl: a beautiful, vulnerable maiden imprisoned by a monster. Playlists - The time is now (Carrie 2002) - Prom King and Queen (OST Carrie 1976)- The Dirge (OST Sorority Row)- Fire/Bombing London (OST 28 Weeks Later)- S. Carrie: Directed by Kimberly Peirce. Carriebrings out the best of horror from a relatable teenage perspective; this made the novel popular among young adults. Sue tries to atone for what she did to Carrie and asks her boyfriend, Tommy, to take Carrie to the school prom. The disaster climax of the original 1976 Carrie is like any top-tier, truly unforgettable scene in cinema so well-known that you don't even have to see it to know it. Her haunting you from. Actually, its worth noting Carrie spares Sue that fright. The final scene of de Palmas film begins with Sues mother talking on the phone about Sues slow recovery from the trauma of prom night. The music slowly begins to pick up its tempo when Sues realisation becomes apparent. Margaret White and Chris Hargensen take the role Carrie occupies at the end of the other adaptations with Carrie essentially taking on Sues role. Its a striking ending that is consistent with both genre tropes and de Palmas specific vision for Carrie, but not the character of Sue Snell or her relationship with Carrie. that what she witnessed was a natural act? Blood represented an entity that Carrie knew she was never going to escape. She has telekenesis, the ability to manipulate things without touching them. 10 Differences Between Carrie Remake & Original 1976 Movie. thissection. And we pushed her. Quite a large percentage of those millions of words of analysis delve into the symbolism of blood throughout the novel and connection between Carrie Whites telekinetic powers manifesting so soon after her first menstruation. The final paragraph reinforces the connection between Carrie and Sue by mirroring the novels opening trauma, only this time it is Sue who feels blood run down her legs. The change of pace serves as a suggestion that the tone of the film is also going to alter, this is also done by the score which has now introduce a bass which swells as Sue is getting kicked out of the prom, this lets the audience know that the climax is going to arrive. She may have been listening to rock n roll music on the radio. Now she's ready because "the devil has come home" (2.733). Peirce's version sometimes makes Chris seem a bit of a victim, too, by implying that she was spoiled rotten by her yuppie dadplayed by a perfectly cast Hart Bochner, a.k.a. Even when Carrie tried her best to fit in, she still got rejected; this only added to her torture. Carrie discovers she is not an ordinary person as she discovers she has telekinetic powers. version of the de Palma ending with a cut to a graveyard, where Sue and a disguised, bewigged Carrie stand in front of Margarets tombstone. Whoever the author.Discover new and exciting books to dive into with our Book Explorer Tool. Chris is the Something unutterably evil who stinks of parking lots and roadhouses and not only has the power to make Carrie feeble, but constantly tries to use that power. . It did not go well. Pig's blood. This ending sits a lot more strangely with the rest of Pierces film because it seems to undermine the connection established between Sue and Carrie at Carries death by ending on a note of fear. Or unutterably evil. Sue isalternately hostile and generous, and conformist and defiant but always acutely self-aware. Because Carrie is an abused child, she feels ugly; because she feels ugly, she radiates a sense of worthlessness. Suddenly, a bloody hand emerges from between Sues legs. Original sin is never far from its mind. Telekinesis became the only thing Carrie felt was hers, and she used it to exert the revenge she wanted. She is complicit in bullying Carrie in the infamous shower scene and continues to think about Carrie in sometimes uncharitable terms (she could take better care of herself she does look just like a GODDAMN TOAD). Pierces original aim was to to be a reinterpretation of Kings novel; there are rumoured to be 40 minutes of cut footage, including filmed versions of many of the White Commission. Ironically while the rest of the cut footage was rumoured to me much more consistent with Kings novel, this ending borrows significantly from de Palmas film, with Pierce doing him one better on the shock front after all, whats more horrifying that someone haunting you from beyond the grave? Moore's Margaret is a purely pitable figure who scratches and cuts her own flesh, and who cannot love herself, let alone a child. She had hopes and she had fears. Their clapping stops and the score slowly distorts into an empty silence, the only diegetic sound present is the dripping of the blood from the bucket. William Katt on "Carrie" bloody prom scene . The diegetic sound (apart from the blood in the bucket) is muted to emphasis the action. Anatomy of a Scene: The Many Endings of Carrie - BOOK RIOT Religion was one of the most important themes inCarrie.In the novel, Carrie had a fanatically religious mother who believed that many human parts of human nature were sins. Sue is drawn to the high school by a strange sense of premonitory dread, suggesting a psychic link between the two girls. But Kings novel is more than just a pair of bloody bookends. Her story is just beginning. Then the string running along it. In the story, Carrie longed for revenge. This is a good impulse, but the movie doesn't properly follow through on it. Carrie discovers she has the power to move objects with her mind. The novel ends with an Appalachian woman writing to her sister about her daughter, who exhibited telekinetic powers. De Palma opted to keep the shot in the film, even though Soles was so badly hurt that she could not hear out of one ear for the following six months before the eardrum eventually mended. As a result, Carrie spawned a sequel, a made for TV remake, a 2013 reboot, and two musical adaptations. Carrie gets home and asks her mother why she hid the truth of menstruation from her, but instead of explaining, her mother begins quoting false scriptures, and when Carrie tries protesting, her mother locks her up to pray in a tiny closet, which freaked her. Carries mother is also there, of course, always whispering into her ear (or shouting into her terrified face) with the reminder that the powers which lay mostly dormant and mostly untapped are the work of her father: "You spawn of the devil. It becomes a motif, a recurring refrain Carries hears throughout her life: it's you devilspawn witch imp of the devil it's you doing it. And after enough time of hearing the same thing over and over, who wouldnt start to believe it.
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